Books reviewed on this page:

• Armagh and the Royal Centres in Early Medieval Ireland: Monuments, Cosmology and the Past - N B Aitchison
• The Great Queens - Rosalind Clark
• Mythic Ireland - Michael Dames
• Irish Folk Ways - E Estyn Evans
• A Woman's Words: Emer and Female Speech in the Ulster Cycle - Joanne Findon
• Early Irish Farming - Fergus Kelly
• The sacred trees of Ireland - A. T. Lucas
• The Festival of Lughnasa - Maire MacNeill
• The Waves of Manannán - Charles MacQuarrie
• Irish Folklore - Brid Mahon
• Irish Superstitions - Dáithí Ó hÓgáin
• Irish Folk Custom and Belief - Séan Ó Súilleabháin
• Irish Wake Amusements - Séan Ó Súilleabháin
• Sex and Marriage in Ancient Ireland - Patrick C Power

Armagh and the Royal Centres in Early Medieval Ireland: Monuments, Cosmology and the Past
N.B. Aitchison

As a student of 'Celtic' history I've had to read some dull, dry and boring crap in my time, but honestly, this takes the cake. I tried, honestly I did, if anything for the purposes of writing an intelligent and witty review of just how dull and boring this masterpiece really was...But honestly, the chapters were too long and dense for me to sit down and read per chapter, in one sitting, and the material was just too oblique for me to be able to pick it up and put down.

Don't get me wrong, the stuff I did plough through was good. It's just it was badly written (or well-written for a very specific and advanced audience with a degree in archaeology and Celtic Civ like I have, with a much more die-hard enthusiasm for both subjects than I have, along with an extremely large vocabulary that delights in the obscure and long-winded) with far too much jargon, and referenced in a way that's favoured by my university (using the Harvard system) that does nothing for readability as a piece of literature. I'd give examples, but honestly even trying to find a passage for quoting causes me to lose the will to live...I could only, in conscience, recommend this book to a die-hard fanatic of Ireland relating to this period.

Granted, there's stuff in there that would be useful to anyone wanting to explore the site of Tara, which is particularly relevant at the moment, but really, for the money, it's not worth buying. Worth a read, yes, but not worth possessing, as far as I'm concerned. Maybe I'll feel different when I'm able to revisit it in a more cogent frame of mind, but still, it will only ever be an advanced text as far as CR is concerned. Cosmologically, it could be useful, but only really if you want an archaeological emphasis on your historical interpretation.

The Great Queens
Rosalind Clark

It took me at least four attempts to get hold of this book, and while it was slightly more than I usually fork out to fund my book obsession, I'm particularly pleased I made the effort with this one. It wasn't available at Glasgow uni library so buying it was pretty much my only option, without jumping through inter-library loan hoops.

First and foremost, I didn't find it to be too much of a dry read. The book focuses on the use of what Clark argues are essentially sovereignty goddesses in various differing forms in Irish literature, from early medieval evidence to relatively modern examples like Yeats. Seeing as my area of interest is early medieval I was surprised to find that it wasn't too much of a chore to plough on through the final chapters that dealt with the more modern material, because ultimately I was interested in what Clark had to say even if I've never been interested in the modern stuff before now. I would even go so far as to say it piqued my interest in modern Irish history, which is something I've avoided (or at least not actively pursued, at any rate) until now.

Granted it's not light reading, and it's not the sort of book you'd want to take on holiday with you unless you're really interested in the Morrigan or the concept of divine sovereignty in Ireland, say, but still. If you are interested in these sorts of things, it's a worthwhile read. Unlike most of the discussion on this subject that I'm familiar with, Clark looks at the material from a literary perspective, rather than a historical or social perspective that I'm used to, so I found that refreshing. At the same time she came across as being very knowledgeable in the more historical areas too, so in that respect it gave a good balance.

Aside from the fact that I found her arguments about the Morrigan as being (ultimately) a sovereignty goddess persuasive, along with Medb and the Cailleach, I found her analysis of the strengths and weaknesses of the various different versions/translations by people like Lady Gregory and Yeats particularly useful for future reference. That said, I'm not all that keen on pigeon-holing deities into one role like 'sky god', 'sun god' and so forth, because it has a tendency to reduce gods or goddesses to one particular function or motive, and they aren't that simple. The label of 'sovereignty goddess' is the same sort of pigeon-holing that I dislike, and yet it's a label that I find useful, myself, so I guess the book's helped me take a look at my own unconscious hypocrisy, I guess.

On the minus side, her references to a triple goddess/Great Mother in a Jungian sense, amongst other sorts of scholars that hold a similar view, was quite jarring, especially seeing as she only went into any great detail in the conclusion to the book. While it's easily read around, and not fundamental to the book itself, it's distracting and I found it slightly confusing at times because she didn't elaborate until you're fairly committed. Has Robert Graves struck again? No, it turns out, but it's one point I especially didn't find any agreement with.

The book also tended to be quite repetitive in places, and while that can make it good for dipping into as a reference (if you wanted to look something up in particular, the general gist of the previous paragraphs wouldn't be lost on you), it didn't make for a very smooth read from start to finish at times.

Ultimately, I liked the book. There aren't many non-fiction, scholarly, books that I can read from cover to cover, but with this one I didn't have a problem. I would go so far as to say that I could probably read it again, which is also fairly unheard of.

This is the sort of book that I think anyone interested in CR should read, but I certainly wouldn't say it's one of those books that anyone should read first, as a beginner or perhaps even intermediate. This is a book for someone who wants to narrow their reading into a particular area. For those who want something a little more focused and in depth, especially if you're interested in the Morrigan (in her various related guises/titles) or the fairly fundamental concept of sovereignty in Irish society, this is a book you should read at some point.

Ultimately, this is the sort of book that I'm happy to hoard, as is my wont, and I don't feel like it's taking up space on my bookshelf unnecessarily.

A Woman's Words: Emer and Female Speech in the Ulster Cycle
Joanne Findon

Straight off the bat I'd have to say that this is another one of those books that will only be of interest to a fairly limited audience. While I realise that not every book written for a feminist audience will interest those who are interested in the subject, this is one of those books that automatically gets lumped into that category - you have to read it because it's about women...

But actually, it's quite a refreshing take on the subject. Anyone who's interested in feminism or women's studies in general will probably find a lot to like about this book, and even those like me who have more of a passing interest than a passion, might enjoy it too. For a start, it's one of the few books (from an admittedly very few number of books that I've read on this subject within the specific context of 'Celtic Studies') that focuses on the subject from a feminist point of view that doesn't go on about Teh Evel Pay-tree-arky, or indeed Teh Grayt May-tree-arky.

If you've ever read The Book of the Cailleach you'll probably know what I mean, and if I were to compare the two, I'd say this one is a lot more balanced in terms of approach, and over all, is a lot more readable too, though still appealing to a much narrower audience in terms of CR. It's well written, and by and large it's well edited. A lot of the time, academic books like this are written by academics who have the credentials to talk about the subject, but not necessarily the talent to write about it in an engaging way. Here, Findon manages to write in an engaging and knowledgeable style, without feeling the need to resort to using too many unnecessarily big words and clunky sentences to get the point across that yes, the author's brain is in fact the size of New Mexico. Much like my arse (but that's a little off topic).

In addition to the focus on women's studies, the book also takes a literary approach to the material. Findon argues that all too often the myths - including the Ulster Cycle - are analysed in terms of their mythological context; that many of the women found in the tales are evidence of, or representations of (at some remove), pre-Christian goddesses and are analysed only in terms of their mythological, religious/pseudo-religious role. Medb is held as an example here - that once she was considered nothing more than a wanton whore by those who studied the myths, but once her actions were considered in terms of her role (or possible role) as a sovereignty goddess, her actions were justified as being a symptom of her role as facilitator of male sovereignty. This, Findon argues, detracts from the fact that mythological characters are also literary constructs, and as characters within literature, it's becoming increasingly apparent within academic circles that contemporary women (either specific women of the time, or attitudes to women in general) had a large role to play in the portrayal of these women, and specific characters, in the myths in general. I think Findon has a good point here - although she's perhaps a tad optimistic - and as someone who tends to focus on such mythological interpretations of the literature, the book offered a fairly refreshing perspective to me.

At this point, I should probably give an idea of what the book's actually about...

As the title suggests, Findon focuses on the role of Emer within the Ulster Cycle, and to a lesser extent, select women as a whole within the cycle. Findon demonstrates the remarkable coherence of the portrayal of Emer, throughout the many tales in which she appears that were no doubt composed and then written and re-written over several centuries. Of all the women in the Ulster Cycle, including Medb (for whom I have a great soft spot), none have a more prominent role than Emer. No other woman speaks as she does, and certainly not as much as she does. Findon hammers home this point persuasively.

In a nutshell, Joanne Findon focuses on what Emer says in the tales, and how she says it, which is less simple and obvious than it might sound. The tales that are focused on are The Wooing of Emer, Bricriu's Feast, The Death of Aife's Only Son, and The Wasting Sickness of Cú Chulainn and all in all it helps to be familiar with the tales that are discussed (and that of the Táin, the main set of stories within the Ulster Cycle) - if only for the fact that you're unlikely to be so interested in a whole book about the finer details of them if you don't really know what they're about.*

One of the book's stronger points is that it helps to give a variety of literary perspectives on what happens in each tale, and thus a better idea of what early medieval Irish society was really like - and how literature like this could have operated in that society when it was told by the skilled storytellers; the points - sometimes satirical, even - that might have been put across.

Findon clearly outlines specific contexts to each tale, like the legal subtext that can be found in many of the tales, as well as the romantic motifs that can be found in others and so on. While on the one hand some of these points are put across in a fairly repetitive manner, which makes for a mild annoyance if you're reading the book from start to finish, it makes it somewhat easier to dip into the book when looking up certain points of interest, or else pick up and put the book down over time.

Over all I'd say it's better to read the book pretty much from start to finish because there's a lot to take in, and that's best done in a fairly continuous take, but if you're very familiar with the material then it's perhaps not so much a must. And while Findon raises many good and even important points, I still feel that getting a broader idea of the tales, from a variety of perspectives, is a must. While Findon doesn't dispute that, it can become a point that's easily lost in the thrust of her arguments, especially since she argues so eloquently. And given that point, I wouldn't say, particularly for those interested in dipping into CR a little deeper, that this book is really the best place to start - look at Celtic Heritage (Rees and Rees) first, and Proinsias MacCana's Celtic Mythology, along with the tales themselves and so on, which have a much broader scope, should probably be looked at first.

As I said, this isn't something that's likely to have a broad appeal. I wouldn't count it as one of those 'must have' CR books, but certainly it's one I'd recommend for anyone wanting to broaden their horizons and gain a deeper understanding of Irish mythology and women's roles therein - the Ulster Cycle in particular, of course. Many of the points that Findon makes can surely apply to other women and even goddesses in the literature, but again, they're only pertinent if you're interested in that sort of thing.

Finally, and also in its favour, it has a positive minefield of good books to look up in the bibliography. For me, this is an extra bonus, but again most of them are probably only of limited appeal and are probably best found through a university library. Findon's book itself was easily obtainable through the usual online sources for me, but some of the books she recommends are considerably more expensive.



*Easily found in Thomas Kinsella's The Táin and some in Jeffrey Gantz's Early Irish Myths and Sagas, in hard copy for example.

Early Irish Farming
Fergus Kelly

Cor blimey, this took a while to get hold of. After several attempts at ordering it from various places, I finally received an actual copy of it and I was going to be seriously annoyed if it turned out to be a steaming pile a horse manure. Thankfully, it didn't disappoint.

This one arrived on my doorstep with a very firm and formidable thud: packing in just over 750 pages, its size alone shows that its a meaty volume (tastes a bit like pork....). Don't worry, though. Around 150 pages are the indexes, glossaries, bibliography and selected translations of passages referred to in the text...So yes. I wouldn't say this is particularly light reading. It's thoroughly academic reading. It's an oddly fascinating read, though - by which I mean the title doesn't inspire much in the way of 'I simply must read this!' and yet, for the most part, I found it fairly easy to get through. The book's well laid out and the subjects are dealt with in a fairly logical order and unlike many of the more modern academic books I've read recently there's very little repetition throughout, which I was grateful for.

Kelly starts off with a good introduction and then goes on to cover what we know of early Irish farming, primarily through the law-texts of the seventh or eighth centuries with a healthy smattering of archaeological evidence thrown in to support the literature. First of all he looks at livestock - the types of animals that were typically kept on the farm, how they were managed and looked after throughout the year and the economic value they would have had. Offences that might be committed against livestock are then looked at, followed by the types of diseases. Kelly's attention then turns to crops, hunting, diet and then matters affecting the farm, labour and tools.

In terms of CR it might not seem to be such a great book to read - it's not about myths or festivals, say - but it does give a good insight into the more mundane, everyday aspects of life that can help to flesh out your practices and understanding of early medieval society. It's a good source to get an idea of why certain animals - cows and pigs in particular - were so important for one, but it also gives an idea of the sorts of things they did with the animals and the types of food they made which might make good dishes for festival occasions (Kelly notes that pork in particular was a popular meat to serve at these times, for example) if you want something more traditional. There's also a good summary of the types of plants and herbs they cultivated for brewing, dyeing and (to a lesser extent) for medicine, though I'm sure there are better sources to look at for this, and throughout there are some interesting tidbits thrown in where Kelly mentions things like the veneration of certain trees (the bile), evidence of pre-Christian thought or practice in terms of food taboos and the tarb-feis (the bull feast rite performed to determine the next king), and so on.

Kelly writes in an engaging manner* (as he does in Early Irish Law, which makes a good companion to this book) - and even when I got to the chapters on subjects that really weren't all that interesting - my life doesn't exactly feel enriched now I know about the finer details of the different types rods and goads that were used on the farm, or the penalties for all the different types of offences that might be committed against livestock and so forth, it has to be said - the lurches into dullness were forgivable. Unlike some authors who write about such specialised areas of interest, he doesn't fall into the trap of using teh big wurdz and dazzle the reader with a ton of jargon so the information he presents is much easier to absorb. I can appreciate that his frequent use of Irish or Latin words might be off-putting or distracting to some people who don't necessarily have a good grounding in early Irish legal terminology, though, even though he always gives a translation.

As an academic tome, there's not much to find fault with it. While parts may be dated now (having been originally published over a decade ago), generally these are things that are going to be of little relevance to anyone approaching it from a CR perspective, unless they're really keen on the intricacies of early Irish farming practice and so forth, and the book is invaluable for its presentation and in-depth referencing of primary source material (if not in-depth analysis, at times)...

The translations given in the appendices include the original Old or Middle Irish and extensive commentary on how he came to translate something in a particular way, or what a particularly obscure turn of phrase might mean and so on. Kelly also gives extremely thorough references and commentary on many of the interpretations he comes to throughout the book, even offering counter-arguments to point out a possibly different perspective, and the bibliography alone is invaluable if you want ideas for further reading.

Given the broad scope of the book, some parts felt a little less indepth than I would have liked them to be, but this is understandable - I would have liked some more stuff on food taboos, for example, but Kelly tends to present most things in a fairly neutral manner, providing a springboard for further study into various topics rather than getting down to the nitty gritty let's-look-at-it-from-all-angles.

I would say this is probably more on the advanced side of intermediate in terms of relevance and interest, providing some good fodder for more in-depth research, although the indexing and the straight-forward style of writing and presentation makes it perfect for just dipping into as a quick reference if you're not the sort to sit down and chew on it at great length. I do think it's worth it, though, especially with Kelly's Early Irish Law. Though take that with as much salt as you like - if you're like me and are tickled by discovering little things like battle-cries of "Fennockabo!" (anglicised form of feannóg abú! - "Hurra for the hooded crow!", apparently), then you'll probably agree. Otherwise, perhaps pick something else up instead.




* With the usual qualifier of "For an academic book, that is..."

The sacred trees of Ireland
A. T. Lucas

This is a reprint of an article from Volume 68 of the Journal of the Cork Historical and Archaeological Society (1963), so it's been difficult to get hold of. It's not too long, but seeing as I've seen it referenced in a lot of places, it was one of those books (well, booklet, really) I had to have. And better still, when it arrived I discovered it was signed by the author himself, 'With Compliments'. Awww. Thanks.

Anyway, the main thing I was hoping to find was a good overview of the tradition of the bile, and for once I wasn't disappointed. Lucas gives the general definition of the bile as a sacred tree, but doesn't limit it to only the 'big' trees such as the ash, elm and yew; instead, he includes the smaller trees or bushes that are found in similar contexts (especially the hawthorn), and argues that the term 'craeb' (branch) often carries the same meaning as bile. He also makes the point that often the English translations you might read simply translate either word as tree, whereas really they carry a much deeper meaning, and so often analysis of a text based on the translation alone can be limiting.

For the main part of the article, the different types of bile are divided into six different categories. These are:

• Trees associated with inauguration places
• Trees associated with ecclesiastical sites
• Trees associated with saints
• Trees associated with holy wells
• Trees associated with funerals
• 'Unassociated' sacred trees

Lucas starts with the 'unassociated' trees - like the five main trees of Ireland, as outlined in "The Settling of the Manor of Tara," and arguably a later category that's almost included as an afterthought - of 'lone bushes' - comes under this heading, too. These are generally the lone hawthorns that are associated with fairies.

With each category, Lucas gives examples to support his ideas and gives a little analysis. It's probably fair to say the reading is a little dry, but as an article it does its job: it sticks to the facts, offers some ideas and opinions, and gives a solid foundation on which somebody could go into far more detail.

There are some good points to think about in here, and while it may lack as much detail as I might like (I'd like a good long dissertation, please), I probably can't complain too much because I'm fairly sure I always say that. And there's definitely meat here, with very little fat to trim.

The biggest downside to the article is finding it. It's not readily available to buy, and would probably be a pain to get hold of a copy without JSTOR access, and so you really do pay the price, considering the length of it (just shy of fifty pages or so). But it really is worth it if you're interested in the subject.

The Festival of Lughnasa
Maire MacNeill

Finding a copy of this book has almost been like a quest for the Holy Grail for me. Every now and then it gets mentioned with an almost hushed reverence on some of the CR lists I'm on, so of course when I first heard of it I decided I had to read it...I found it easily enough at the university library, but this is the sort of book I have to own, rather than borrow, and copies don't come cheap. Before the reprint earlier this year, this was an extremely rare book, it seems, and I could only find copies with a £400-£500 (or $800-$1,000+) price tag - far beyond my humble means, so when I found out it had been re-released I was a very happy geek. It was still not cheap (£50/$100), but far less damaging to my credit card and honestly well worth it - it's a hefty tome, to say the least, so you get your money's worth.

But maybe I should stop chuntering on about how smug I'm feeling for getting my hands on a copy and start talking about what I thought about it. I could've sworn I'd read it as soon as it arrived on my doorstep, but when I thought about writing a review in time for Lùnastal and started flicking through it, I realised that I hadn't read it all the way through. As I said, it's a hefty tome, packing in over 700 pages, so it's easy to get lost if you put it down for a bit.

MacNeill focuses primarily on the evidence in Ireland, drawing heavily from the Irish Folklore Commission archives, but she does give some attention to the evidence for it in Great Britain and France, though in far less detail. As someone who focuses on Scottish practice, I didn't really find anything new specifically relating to the more modern evidence found in Scotland, but as far as the historical evidence goes for Ireland there's a wealth of information to be found.

Given its size, it's no surprise that this is a fairly exhaustive work on the various different aspects of the festival of Lughnasa, and in this I suppose there are pros and cons. While on the one hand it makes for a handy volume with which to start and get a fairly in depth idea of what Lughnasa was really about, its very size can also be very off-putting. That said, Mac Neill does a good job of laying things out in a logical manner, from the more historical aspects of the festival, to surviving evidence of celebrations. These latter chapters are quite dense, in essence listing the evidence (or possible evidence, where MacNeill isn't certain) for survivals of celebrations in specific locations across Ireland. This isn't the easiest stuff to read all in one go unless you're that passionate about the subject, it being fairly repetitive in places, but if you're looking for a good amount of supporting evidence for this sort of thing you'll certainly find good leads here.

Following all that are chapters on the types of tales associated with the festival, as well as a summary of a 'typical' Irish celebration for the day, based on the more modern evidence available. It's this chapter that will be of most interest to anyone looking for quick answers about the surviving practises that you might want to incorporate into your own. There follows an extensive appendix of the tales themselves (including the original Irish and then translations, where applicable) and, in the copy I bought, the addendum from MacNeill's revision of the book in the 1982 reprint, where she discusses where she may have changed her mind on certain points, or where further evidence proved her wrong more conclusively or convincingly. These bits don't really change the overall message of the book too much, but they are useful to know and I'd say that these later editions/reprints are a better read in that respect than the first edition, providing more critical food for thought at least.

Perhaps the biggest problem with this book is that there aren't any comparable volumes that deal with the other festivals in such depth. It would make life so much easier in so many ways...So far as the book itself is concerned, though, it can't be denied that it's dated in some respects. MacNeill addresses some of these points in the later addendum, but this can only raise questions about a lot of other things that she says and the research methods she uses...Time will tell on these points, but it's wise to caution against taking things too literally, I think, and further personal research is always warranted no matter how good one particular book might be. Perhaps I'm being overly cautious and negative here, but I do find this book to be genuinely inspirational and useful, and it's often this type of book that I'm most cautious about. Question everything, especially books like this that are so highly regarded. But then again, don't forget they're highly regarded for a reason...

At the end of the day, if you want to gain a deeper understanding of Lughnasa or any of its (possibly/probably) culturally related variants, buy the book, or at least get your hands on a copy. And then you can be a very happy geek like me.

The Waves of Manannán
Charles MacQuarrie

This was a mammoth effort for me to get through, and not in a bad way, I'm glad to say. It's a book to take time over, to read in small doses and absorb, think about and let the flavours mature. The resulting stew is very tasty.

I can't say this is everything you'll ever want to know about Manannán, if you're interested in that sort of thing, but it's a damn good place to start. The primary focus of the book is on Manannán's portrayals in Irish myth and literature, and in this respect it tries to be as comprehensive as possible, given the constraints of a PhD dissertation.

MacQuarrie splits the material up into four 'waves', with the first wave detailing Manannán's earliest portrayals in myths (starting with Immram Brain, 'The Voyage of Bran'); the second wave dealing with his appearances in pseudo-history (including Lebor Gabála Érenn, 'The Book of Invasions', and the Dindshenchas, or 'Placename Folklore'); the third wave looking at his appearances in the Finn tales and folktales (including those from the Isle of Man); and the final wave, the 'new wave' focusing on modern Anglo-Irish literature, such as Lady Gregory, WB Yeats, and James Joyce. Because of this, there's not so much on anything Scottish - or as much as I would have liked (analysis of Manannán's possible links with Shony would've been nice...MacQuarrie mentions the possible connection between the ritual to Shony on Lewis, and Manannán, citing Hutton, but doesn't go into any depth), but this may be due to the time in which it was written.

Yes, it's academic - it's a PhD dissertation, so maybe that goes without saying, really (but I will anyway) - so you may find it dry in places. Or if not dry, then dense and a little on the heavy side if you're not used to this sort of thing. Where MacQuarrie does get into detailed academic analysis, he does a good job of explaining things and doesn't rely on Teh Big Wurdz and confuse the reader with jargon, but still, it's not the sort of book I'd recommend for a beginner.

Because it's primarily a literary view, the emphasis is on how Manannán is portrayed in the tales and literature, and how this changes over time, so if you're looking for a manual as far as how to relate to Manannán as a god then you'll be disappointed. The final section, after the 'waves', is titled Beginnings and Endings, and this was the most interesting part for me, looking at Manannán's origins in particular. MacQuarrie suggests that Manannán takes his name from the Isle of Man (rather than lending his name to it), and was probably so named, or 'invented' as MacQuarrie puts it, in around the fifth century A.D. with the role of being a divine father for the Dalriadan king Mongán mac Fiachna. It's certainly food for thought, even if I'm not entirely convinced of all of MacQuarrie's conclusions, here.

MacQuarrie deals with a lot of myths that most people won't be familiar with, but does a good job of giving the general gist of the plot so you can keep up with the points he wants to make. He writes well and is engaging, but shortens the names of the tales to just their initials for brevity's sake - this is understandable, but it can be a little confusing at times when you're not familiar with the name of the tales in the first place, so I found that a bit distracting in places. Handy hint: there's a list of tales at the back of the book...

The biggest downside to this book - aside from the complete lack of any indexing (boo!) - is the price and its availability; I can't really justify the expense of buying a copy myself (much as I'd like to) and it's not necessarily widely available in academic libraries.* However, if you do get your hands on a copy, then do give it a go, and give it a go from cover to cover. You'll miss out on an awful lot otherwise. 

* After writing this review, it's been brought to my attention that the book is available at a much more reasonable price through here.

Irish Folklore
Bríd Mahon

I've been wandering the internet looking for some good sources on folklore and practices (mostly practices, rather than folklore) and I spotted this book going cheap. After looking up the author and seeing that she's a well-respected expert on Irish folklife and traditional folktales, it seemed worth a punt.

I was hoping for a good heftty tome to arrive, but alas, what I ended up with was more like a compact and bijou glossy booklet, offering a fairly basic introduction to some of Ireland's better known tales and lore. It's good for what it is and it offers some tidbits about fairy lore and customs associated with weddings and baptisms and the like, but overall there just wasn't enough in there to really grab me.

It's very Cat'lic in tone, so there's lots of St Patrick and the miracles of St Brigid alongside retellings of tales like The Second Battle of Mag Tured. Written by an Irish native it gives a good feel for how the lore is taught and known in Ireland today, and the retellings of the tales give a good basic introduction to them along with the mythological landscape. It's lacking in depth, but it's a straightforward and easy read.

For someone starting out, or wanting to refresh their memories, then I think it's a good place to start if things like the Rees brothers' Celtic Heritage or Proinsias MacCana's Celtic Mythology are still a bit of a daunting prospect, but it's not nearly as useful. 

Irish Superstitions
Dáithí Ó hÓgáin

This is a nice wee introduction to some of the superstitions and customs of Ireland. It's short enough that I managed to get through it in one sitting, in not much more than an hour, so it's a quick and easy read that doesn't tax the brain too much.

There's maybe nothing completely earth-shattering or dazzling to be found here, but there were some bits that piqued my interest, mainly Ó hÓgáin's reference to the sacred trees of Ireland (bile) and how there was the belief that the sky was a 'roof' supported by four columns in various parts of the uncharted world. He suggests a connection between these posts, which stood in uncharted territory and the bile, which gives some food for thought. The slight problem is that he never gives any references, so it's going to be hard for me to follow up. Hmph.

In spite of the lack of references, most of the ground that's covered is easily recognisable from other places, so over all I would say it's fairly reliable, with the usual amount of caution applied. It was nice to see references to many of the superstitions my nan (whose parents were Irish) and my dad observe - many of which I picked up, too, being raised in an extremely superstitious family. But I digress...

Ó hÓgáin covers superstitions of various times, places, and stages of life, so there's a bit of everything here. That means there isn't much detail, but it could be a good place for a beginner to start getting a very basic idea of things, and seeing as I picked up a copy for a penny, it's probably easier and cheaper to get hold of than Séan Ó Súillebháin's Irish Folk Custom and Belief (which I still think is one of the best books for beginners out there).

For me, there wasn't much new in it, but the writing is engaging and the layout makes it a good book for flicking through for a quick reference or two, and I think it will come in handy in future. Definitely one for the bookshelf.

Irish Folk Custom and Belief
Séan Ó Súilleabháin

I've been looking for a good book on Irish folk customs for ages and in some ways this book fits the bill perfectly (it does what it says on the tin), but in others it's slightly lacking from my perspective because I really wanted more detail. I want a book with some depth, but this book is very much not about depth. It's short and sweet, but it does a good job of introducing the key points of the subject it deals with. So yes, it's very short - less than A5 in size and only about 100 pages or so long - but it packs a lot of stuff in.

On the one hand, there were quite a few tidbits that I found very useful - he gives an example of a smooring prayer that Dames also gave, for example, but here it seems more complete and it's obvious where Ó Súilleabháin got it from. On the other, it covered a lot of familiar ground, which at least helped me get a good grounding in where he was coming from and whether he's reliable as a source or not. It seems he is, but like most books of this type, he doesn't give references. But unlike Dames, however, Ó Súilleabháin's background and style of writing inspires a bit more confidence in the content of his work, I think.

Ó Súilleabháin writes in an easy and conversational tone, but puts across his points about what folklore is and how it should be interpreted (from his point of view, at least) well. And to Ó Súilleabháin's credit, he gives the Irish and then his own translation whenever he quotes something that was originally recorded in Gaelige. Seeing as the book's so short it only skims the surface of the subjects it deals with, but given the style of writing as well as its content, Ó Súilleabháin covers his bases and then some (to a point). While he left me wanting more, it was in a good way - or not, seeing as I definitely want to save up for his A Handbook of Irish Folkore now (clocking in at nearly 700 pages and based on his work with the Irish Folklore Commission, and extremely expensive to buy, to boot. And I could get it from the library, but I need books on my shelf, y'see).*

He's clear on the points where he doesn't go into too much detail - either because of space constraints, or the fact of repetition because he's gone into the subject in more detail in a separate book - and this is a good thing because at least you know it's not all there is to know...An extensive bibliiography, or references would have been nice, though. As it is, there's a limited bibliography and that's about it. And as well as all this, while I personally appreciate his very logical and analytical interpretation of folk belief at times, I think some may find him overly so in his interpretations. I don't always agree with these interpretations, but he seems to make his bias clear at least. If the book was written today, he wouldn't have used the phrase 'primitve society' so much, anyway...

Ó Súilleabháin covers things like the Otherworld, festivals, charms, healing, and everyday life, which is just the sort of thing I was interested in as a beginner, and while E Estyn Evans' Irish Folkways covers a lot of the same thing - both with illustrations, too - Ó Súilleabháin is much more succinct about everything. Evans gives the detail, but often to the point where you might start crying with boredom if you keep ploughing through...As an introductory sort of book, then, this fits the bill, I'd say - much more so than Evans, although the quality of his work, at least, is impressive.

Although I want more, I also think it's a shame that Scottish practices don't have nearly the same sort of calibre of introductory level work. I would recommend this to someone who's a beginner, who wants a solid grounding in the basics before moving on to the more in depth and daunting tomes. I think it falls short in the details in some places, but ultimately it gives far more than it lacks. And really, I think I might just have to splurge on everything else he's written.

* Edited to add: I've been told that the book is actually a list of questions for folklore research in Ireland, not a comprehensive overview of folklore in its own right, so I probably won't be shelling out for it. Having seen a copy in the library myself, there does seem to be some use to it, but not really for reference. It's not something I'm in any hurry to read right now.

Irish Wake Amusements
Seán Ó Súilleabháin

I read Ó Súilleabháin's other book, Irish Folk Custom and Belief a while ago and really enjoyed it, so I had high hopes for this one. Overall, I wasn't disappointed. As far as readability is concerned.

This book is short and sweet again, written in the same conversational style, and well referenced. It's a good, quick read that covers all of the basics of the subject, plus a bit more, although as with the last book, Ó Súilleabháin could have probably written something four times the size and still not covered anything. I have to say, though, this book doesn't feel as broad-brushed as Irish Folk Custom and Belief did, so I've come away feeling a lot more satisfied this time.

It's not the cheeriest of subjects to read about, but it's an interesting one, especially for someone like me who's been brought up in a very different sort of environment, where death is sidelined and kept quiet and solemn. Not so here.

Ó Súilleabháin keeps a tight focus on the basics - what happens before the wake starts, what happens when people join the wake, the kind of hospitality that is given and expected from the family of the deceased, and then goes on to the main part of the book - the wake amusements. He splits them all up into different types of amusements or games and devotes a chapter to each one, and then goes on to look at the reaction of the Church and how they tried to clamp down on the practice over the centuries - with little success - followed by an examination of the origins of customs. It was at this point that some of the problems became apparent with the book, since it wasn't so much an attempt at looking at the possible origins, but more defending folk's behaviour in these bygone times. They didn't know any better, these rustic folk, is the general gist, but in these enlightened times, we are all good Christians now, and do it properly...

This is a very sanitised version of events, in amongst all the detail. Having read elsewhere on the subject I've seen mention of far ruder and rougher games being played at Irish wakes (in E Estyn Evans' Irish Folk Ways, who says they're far too obscene to commit to paper) than Ó Súilleabháin describes here, and it seems that Ó Súilleabháin is actively trying to play this element down. There is the occasional mention of lewd or obscene behaviour, or the potential for it, but no details. It's almost as if you can tell that such things are mentioned in hushed tones, if that's possible in print.

Clearly, Ó Súilleabháin is writing to a particular audience. Clearly, someone who's read the book before me also thought that Ó Súilleabháin wasn't being entirely honest about everything - at one point, Ó Súilleabháin comments that modern wakes, where they are still practised, are devoid of drunkenness. "I'm sorry, but that's bollicks!"[sic]  writes my anonymous friend in the margin. I have to agree.

It's a shame that the book falls a little short on this point, but overall it does have a lot of good stuff to offer (and to be fair to Ó Súilleabháin, he's not the only one who didn't want to go there). One of the most useful aspects of the book is the detail that Ó Súilleabháin gives for all of the games that he lists, because, as he points out, few of them are specific to wake occasions. Most of them are the general sort of parlour games that can be found on any festive occasion, and so from a Gaelic Polytheist perspective, they can be referenced when trying to add a competitive or simple fun element to festivities at Lùnastal (for example). Some of them are well known already - Blind Man's Buff, Hide the Slipper, variants on games like Simon Says, and so on. This is especially good for me, looking for inspiration for involving the kids, but as Ó Súilleabháin points out, these games were traditionally for anyone but the elderly.

Like any book, it can't be taken at face value, and with this caveat in mind it's a very informative, and useful, book to read if you want to do some research in this area. Unfortunately, it's definitely one of those books you'll have to get from the library, because for such a small book it comes with an incredibly hefty price tag as far as I've seen. Count yourself lucky if you see it going cheap, and snap it up.

Sex and Marriage in Ancient Ireland
Patrick C Power

I was surprised on two counts with this book. First off, I was expecting a fairly hefty tome and in reality it's tiny. Secondly, the copy I received is signed by the author, which was an added and unexpected bonus.

Overall I couldn't help but enjoy it. The book's written in an easy and conversational style and doesn't get bogged down in too much detail, so I had no problem with reading it in a couple of hours. It was informative without being dry, and was presented in a straightforward manner so it didn't make me have to read and rer-ead paragraphs to get the point.

As an introduction and overview of the subject it works well. Anyone who isn't that familiar with early Irish law will get a good background of how the law worked in general terms before the book goes on to explain different aspects of the law (and occasionally lore) that relates to sex, marriage, children, divorce and extra-marital relationships. Even though the book doesn't get into too much detail, there was plenty of stuff to learn (for me, anyway), and I particularly liked the bit where it states that early Irish law didn't hold a woman legally responsible for her actions for three days after she found out her husband's having an affair - up to and including blood-shed.

In spite of this, the book has some drawbacks. While it's an easy read the tone is very dated now, with the use of certain words like 'crazy' that I found quite jarring. One of the underlying themes of the book is how ancient Ireland was much more pragmatic and sensible about sex and marriage than Ireland was in the 70s (when divorce was illegal), at the time the author was writing. Things like this date the book, and while it's only a minor point, along with the language, I felt it got in the way of the stuff I wanted to know about at times.

I guess inevitably, with any relatively short piece of work, there's going to be places where things get glossed over or missed out, and this was the case here because a lot of what was said lacked any sort of analysis. Although it's not an academic book per se, it would have been a good idea to explore how much of the brehon laws as they were written were enforced in actual reality. It was touched upon, but not nearly enough, for me. It would have been nice to have seen more mention of mythology to back up the evidence of law as well, and (probably because of the authors agenda about analysing the law) there was no real mention of the relationship between the king and the sovereignty goddess who represented the land over which he ruled or anything like that.

Ultimately I think the points I have problems with are due to my preconceptions of what the book would be like. I think they would have made the book more comprehensive, but then again perhaps less readable...I got a lot out of it, but generally it left me wanting more. All in all, Fegus Kelly's Early Irish Law is a good place to find that.